I've started reading Atlas Shrugged by Ayn Rand. I read The Fountainhead a couple of summers ago, and was surprised at the reactions I could provoke just by carrying the book around with me. They ranged from the kid who lent it to me, who said something like, "Ohh! You'll read The Fountainhead, and you'll love it, and then you'll read Atlas Shrugged, and then you'll become...an OBJECTIVIST!!" to others, whose reactions were more along the lines of, "How can you get through two pages of that THING."
Long books have never bothered me - I was perfectly happy all through Anna Karenina, where they spend a few hundred pages skipping through the countryside before getting around to the actual, you know, plot. (Oddly enough, it's rare that I can sit through a movie that's more than two hours long.) On the other hand, I can't say I came out of the experience of reading The Fountainhead touting Objectivism to the world. In reality, Rand's philosophy is pretty well-aligned with my own, but it seems to me that it's more important to actually get out and live it (the same goes for feminism, for that matter) than it is to sit around and discuss it. Ultimately, I spent my childhood watching older and more interesting people than me read Atlas Shrugged, and I would be disappointed if I never got around to reading it myself.
I'm about 100 pages in (out of 1000+). It took me a good 20 or 30 just to keep myself from laughing at the book, which definitely takes itself too seriously at times. And it's a little frustrating how similar the caricatures characters in Atlas Shrugged are to those in The Fountainhead. On the other hand, it's fun to read, because it's fun to daydream about a world where people spend a lot of time dramatically posed on top of cliffs and skyscrapers, where they bask in the power of their accomplishments, or lament the human condition, or whatever. It would be nice if everyone's personalities and motives were so clear-cut. Also, if this sort of thing were to take place today, it would be much less interesting because they could just go and look up John Galt on Wikipedia, and figure out who he was once and for all.
One thing that's never sat well with me is how Rand portrays completely man-made things as being more awe-inspiring than anything natural. (Here's the beginning of Atlas Shrugged: there used to be this really spectacular tree in Eddie Willers' front yard, until it rotted out and was struck by lightning and DIED, and he was crushed and never trusted nature again. Or something like that.) I've always thought that our most spectacular creations are those that mesh with their environment perfectly, merging the natural and the man-made...and I'm not sure the philosophy in these books is totally against that, either. But passages that extol the beauty of subway tunnels ("She watched the tunnels as they flowed past: bare walls of concrete, a net of pipes and wires, a web of rails that went off into black holes where green and red lights hung as distant drops of color. There was nothing else, nothing to dilute it, so that one could admire naked purpose and the ingenuity that had achieved it.") are a bit much.
But the most important question at this point is: Who is Dagny going to sleep with? The female protagonist in The Fountainhead, Dominique, really got around, and I don't expect any less from Dagny. There are at least 4 or 5 men so far who I could definitely see her with at some point, and really, anyone but her brother is fair game. Time will tell...